"The Mourners"
When all the light and life are sped
Of flowing tails and manes,
And flashing stars, and forelocks spread,
And foam-flecks on the reins;
I like to think from every land
And far beyond the wave
A crowd of ghosts will come and stand
In grief around that grave –
WILL H. OGILVIE "
Remember
Remember me when I am gone away,
Gone far away into the silent land;
When you can no more hold me by the hand,
Nor I half turn to go yet turning stay.
Remember me when no more day by day
You tell me of our future that you plann'd:
Only remember me; you understand
It will be late to counsel then or pray.
Yet if you should forget me for a while
And afterwards remember, do not grieve:
For if the darkness and corruption leave
A vestige of the thoughts that once I had,
Better by far you should forget and smile
Than that you should remember and be sad.
Christina Rossetti
The Rolling English Road
Before the Roman came to Rye or out to Severn strode,
The rolling English drunkard made the rolling English road.
A reeling road, a rolling road, that rambles round the shire,
And after him the parson ran, the sexton and the squire;
A merry road, a mazy road, and such as we did tread
The night we went to Birmingham by way of Beachy Head.
I knew no harm of Bonaparte and plenty of the Squire,
And for to fight the Frenchman I did not much desire;
But I did bash their baggonets because they came arrayed
To straighten out the crooked road an English drunkard made,
Where you and I went down the lane with ale-mugs in our hands,
The night we went to Glastonbury by way of Goodwin Sands.
His sins they were forgiven him; or why do flowers run
Behind him; and the hedges all strengthening in the sun?
The wild thing went from left to right and knew not which was which,
But the wild rose was above him when they found him in the ditch.
God pardon us, nor harden us; we did not see so clear
The night we went to Bannockburn by way of Brighton Pier.
My friends, we will not go again or ape an ancient rage,
Or stretch the folly of our youth to be the shame of age,
But walk with clearer eyes and ears this path that wandereth,
And see undrugged in evening light the decent inn of death;
For there is good news yet to hear and fine things to be seen,
Before we go to Paradise by way of Kensal Green.
G K Chesterton
A Quoi Bon Dire
Seventeen years ago you said
Something that sounded like Good-bye;
And everybody think that you are dead,
But I.
So I, as I grow stiff and cold
To this and that say Good-bye too;
And everybody sees that I am old
But you.
And one fine morning in a sunny lane
Some boy and girl will meet and kiss and swear
That nobody can love their way again
While over there
You will have smiled, I shall have tossed your hair.
Charlotte Mew
Whose woods these are I think I know,
His house is in the village though.
He will not see me stopping here,
To watch his woods fill up with snow.
My little horse must think it queer,
To stop without a farmhouse near,
Between the woods and frozen lake,
The darkest evening of the year.
He gives his harness bells a shake,
To ask if there is some mistake.
The only other sound's the sweep,
Of easy wind and downy flake.
The woods are lovely, dark and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.
— Robert Frost
As I walked out one evening – W H Auden
As I walked out one evening,
Walking down Bristol Street,
The crowds upon the pavement
Were fields of harvest wheat.
And down by the brimming river
I heard a lover sing
Under an arch of the railway:
'Love has no ending.
'I'll love you, dear, I'll love you
Till China and Africa meet,
And the river jumps over the mountain
And the salmon sing in the street,
'I'll love you till the ocean
Is folded and hung up to dry
And the seven stars go squawking
Like geese about the sky.
'The years shall run like rabbits,
For in my arms I hold
The Flower of the Ages,
And the first love of the world.'
But all the clocks in the city
Began to whirr and chime:
'O let not Time deceive you,
You cannot conquer Time.
'In the burrows of the Nightmare
Where Justice naked is,
Time watches from the shadow
And coughs when you would kiss.
'In headaches and in worry
Vaguely life leaks away,
And Time will have his fancy
To-morrow or to-day.
'Into many a green valley
Drifts the appalling snow;
Time breaks the threaded dances
And the diver's brilliant bow.
'O plunge your hands in water,
Plunge them in up to the wrist;
Stare, stare in the basin
And wonder what you've missed.
'The glacier knocks in the cupboard,
The desert sighs in the bed,
And the crack in the tea-cup opens
A lane to the land of the dead.
'Where the beggars raffle the banknotes
And the Giant is enchanting to Jack,
And the Lily-white Boy is a Roarer,
And Jill goes down on her back.
'O look, look in the mirror?
O look in your distress:
Life remains a blessing
Although you cannot bless.
'O stand, stand at the window
As the tears scald and start;
You shall love your crooked neighbour
With your crooked heart.'
It was late, late in the evening,
The lovers they were gone;
The clocks had ceased their chiming,
And the deep river ran on.
I See You Juliet
I see you, Juliet, still, with your straw hat
Loaded with vines, and with your dear pale face,
On which those thirty years so lightly sat,
And the white outline of your muslin dress.
You wore a litte fichu trimmed with lace
And crossed in the front, as was the fashion then,
Bound at your waist with a broad band or sash,
All white and fresh and virginally plain.
There was a sound of shouting far away
Down in the valley, as they called to us,
And you, with hands clasped seeming still to pray
Patience of fate, stood listening to me thus
With heaving bosom. There a rose lay curled.
It was the reddest rose in all the world.
Wilfred Scawen Blunt
I met a lady in the wood.
No mortal maid, I knew, was she;
She was no thing of flesh and blood,
No child of human ancestry.
Her beauty held my eyes in thrall.
I spoke to her sweet words, soft-toned.
She answered me no word at all,
But only looked at me and moaned.
I spoke to her about Exchange,
Of Sterling and its recent rise.
The subject was beyond her range;
She stared at me with haunting eyes.
I touched upon the price of Rye
And its effect upon the Pound.
She walked beside me silently,
Like one that treads on charméd ground.
She witched me with her elfin grace.
I spoke of Wages and the Dole
And briefly sketched for her the case
For International Control.
She gazed upon me as I talked;
Some elfin thing she seemed to be.
I knew her, by the way she walked,
A creature of the Faëry.
Through green and leafy glades we went,
Knee-deep among the dewy ferns;
I touched upon the Law of Rent
And of Diminishing Returns.
And, as we wandered through the wood
Mid oaks and elm-tree boles rotund,
Explained to her as best I could
The workings of a Sinking Fund.
I said that Rubber was depressed
By recent rumours from Malay.
She only moaned and beat her breast
And cried aloud, 'Alack-a-day!'
I said my brokers had foreseen
A rise in Oil, and asked her view
As to the trend of Margarine,
She only answered 'Willaloo!'
I took her to a green-lit glade
Where tall trees twined their branches high
And a moss-muted streamlet made
Unmeditating melody;
And there I paused awhile; and there
I offered her my heart and hand,
And bade her take me in her care
To dwell with her in Fairyland.
I said I was a Whale-oil King,
With gold and goods and gear in plenty.
She said she was a Mrs. Byng
And had a family of twenty.
She turned and left me where I stood.
While round her elfin pipes were fluting
She walked away into the wood,
And I walked home to Lower Tooting.
-- Patrick Barrington
High Summer on the Mountains
High summer on the mountains
And on the clover leas,
And on the local sidings,
And on the rhubarb leaves.
Brass bands in all the valleys
Blaring defiant tunes,
Crowds, acclaiming carnival,
Prize pigs and wooded spoons
Dust on shabby hedgerows
Behind the colliery wall,
Dust on rail and girder
And tram and prop and all.
High summer on the slag heaps
And on polluted streams,
And old men in the morning
Telling the town their dreams.
Idris Davies
Journey of the Magi
'A cold coming we had of it,
Just the worst time of the year
For a journey, and such a long journey:
The ways deep and the weather sharp,
The very dead of winter.'
And the camels galled, sorefooted, refractory,
Lying down in the melting snow.
There were times we regretted
The summer palaces on slopes, the terraces,
And the silken girls bringing sherbet.
Then the camel men cursing and grumbling
and running away, and wanting their liquor and women,
And the night-fires going out, and the lack of shelters,
And the cities hostile and the towns unfriendly
And the villages dirty and charging high prices:
A hard time we had of it.
At the end we preferred to travel all night,
Sleeping in snatches,
With the voices singing in our ears, saying
That this was all folly.
Then at dawn we came down to a temperate valley,
Wet, below the snow line, smelling of vegetation;
With a running stream and a water-mill beating the darkness,
And three trees on the low sky,
And an old white horse galloped away in the meadow.
Then we came to a tavern with vine-leaves over the lintel,
Six hands at an open door dicing for pieces of silver,
And feet kiking the empty wine-skins.
But there was no information, and so we continued
And arriving at evening, not a moment too soon
Finding the place; it was (you might say) satisfactory.
All this was a long time ago, I remember,
And I would do it again, but set down
This set down
This: were we led all that way for
Birth or Death? There was a Birth, certainly
We had evidence and no doubt. I had seen birth and death,
But had thought they were different; this Birth was
Hard and bitter agony for us, like Death, our death.
We returned to our places, these Kingdoms,
But no longer at ease here, in the old dispensation,
With an alien people clutching their gods.
I should be glad of another death
T S Eliot
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